I'd like to offer some philosophical thoughts on AI. I believe AI is as big a change to our world as the invention of the internet. Love it or hate it, it is already changing everything. I'm as nervous as the next person about the downsides (ex: deepfakes), but here's the thing: I'm not going to get less nervous by avoiding it. I believe it is incumbent on all of us, and especially genealogy professionals, to be upfront about how we are using AI in our work. If we're not sure if we are using AI, it's up to us to figure out how AI is a part of our workflow, and identify it as such.
Category: Womens History
Research and stories focusing on #WomensHistory
Western Canadian migration before the CPR: the 1860 voyage of Susan Moir Allison
Genealogists suffer from equal parts insatiable curiosity and squirrel syndrome. I can't now recall why I picked up "A PioneerGentlewoman in British Columbia," but it wasn't for this purpose. As soon as I read Susan's account of her journey, I dropped the bio and picked up my computer. With this post, I gained insights about possible British and European emigration routes to western Canada.
Coffee Chat Series: Canadian voters lists for Asians and other disenfranchised folks
In this post I'd like to talk about navigating a "common record" set - voters lists - when the population was disenfranchised. There's an assumption in genealogy of "common records." Voters Lists fall in this category, along with censuses, vital records, and city directories. Chinese, Japanese, South Asians, and Indigenous were disenfranchised for decades, meaning that entire record sets that would generally be available for others have gaps for these groups. Knowing when this does and does not apply is important work for a genealogist.
The “Linda learns to dance” video
Here is my solo performance All That Jazz by Liza Minelli, choreographed by Caelia Gardiner, and performed before a live audience on 13 Aug 2022 at The Refinery, Saskatoon.
The “Linda learns to dance” project, chapter one
Caelia created a new jazz routine with All That Jazz by Liza Minelli. For the next six weeks, she taught me the routine - thirty seconds at a time - until we'd done the entire three minutes. She recorded each segment. My weekly dance regimen became learn, practise, practise, repeat. Then she taught me more: how to walk onstage and offstage, musicality, marking, and timing. I learned things you can't learn from the internet.
Fashioning the Decades: my interview with Violet Tang
In this gorgeous virtual exhibition, artist, creator, and curator Violet Tang created an online look at the twin topics of fashion and the Chinese diaspora. It's truly breathtaking what she's done, recreating the full museum experience online. I encourage you to visit as you would in real life: slowly, savouring each piece.
We shall never forget – 12 posts on war and family history
My collection of a dozen posts and stories for Remembrance Day
Our families in WWII: The 75th anniversary of Victory in Europe Day
The Toronto Sun interviews Lesley Anderson and I about our families in WWII
The Chrysalis: The Early Life of Susanne Gim Ling Yip Sang
Documents only tell a part of the story. Here's how I put them together.
An extraordinary, ordinary life: Dorothy Gibson
The story of Dorothy Gibson and her life as a journeyman printer, living through WWII and the Great Depression